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13 by Blur When sold by .com, this product will be manufactured on demand using CD-R recordable media. .com's standard return policy will apply. BBC Review ---------- Following the blatant reaction to the Britpop hangover in the Essex band's previous album Blur, which saw the four-piece adopt the style of an American lo-fi act, 13 was perhaps the band's most experimental effort. With ambient housemeister, William Orbit, in the producer's chair, the sonic landscape came very much from the mind of guitarist Graham Coxon. Again it was America that provided the template, mixed in with a y dose of Krautrock (Trimm Trabb) and electronica. Tender is mutant gospel that lifts you up while remaining quite cynical. The only thing on offer that really sounded like the band of old was Coffee And TV. through with the bleatings of a newly-bereft Damon Albarn, nursing a broken heart after his split with Justine Frischman of Elastica, songs like 1992, Caramel or No Distance Left To Run dripped weary disaffection. This was a band now completely out of love with pop. With hind it's easy to see how a greatest hits tour after this could only place a strain on the band that they'd never weather. 13 is the sound of young minds fracturing under the weight of expectation and their own desire to do more than just create three-minute smashes. As Albarn whispers on Caramel, ''I've gotta get better, I've gotta find genius''. But by this time it was too late. Luckily for us the sound of a genius band disintegrating still equals genius. Combined with a tasteful and intricate prioduction job, 13 may one day, be classed as their greatest work. --Dennis O'Dell Find more music at the BBC ( http://www.bbc.co.uk/go/syn//albumreviews/-/music/ ) This link will take you off in a new window P.when('A').execute(function(A) { A.on('a:expander:toggle_description:toggle:collapse', function(data) { window.scroll(0, data.expander.$expander[0].offsetTop-100); }); }); .co.uk ------ It all begins with a music-box noise, not entirely unlike the beginning of Trumpton (you know, the kids' programme with the curiously named firemen). Welcome to yet another new identity for Blur. Gone are the caricatures of bed-and-breakfast owners and bankers, the cockernee knees-ups, football and pub laddisms. 13 is the starkest, most personal Blur album ever, going further in the direction the previous self-titled album hinted at. Dealing, for the most part, with frontman Damon Albarn's broken relationship with Elastica ( /exec/obidos/artist-search/Elastica/%24%7B0%7D )'s Justine Frischmann, it's as if Blur have ripped their heart out and left the bloody mess for all to see. "Tender", with its repetitive cycle of a tune and gorgeous gospel choir, must surely remind you of someone special, while "No Distance Left to Run" is pure, unashamed heartbreak. comes in the form of the sweet, Graham Coxon-penned "Coffee and TV" and "B.L.U.R.E.M.I", which recalls their punkier days. Oh, and "Bugman" appears to have utilised the previously untapped musical properties of a vacuum cleaner. "Country House" this is not. --Emma Johnston See more ( javascript:void(0) )

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